And in February of this year, the Met launched its Open Access policy, which made all the images of public-domain works in its collection accessible under Creative Commons Zero (CC0) licensing-more than 375,000 images of artworks that are now available to use, share, and remix without restriction. Digital Technologies and the Museum Experience (2008), edited by Loïc Tallon and Kevin Walker, is a book about the use of digital technology by museums.
I pitched, facilitated, and edited this extended two-part interview to explore how these two institutions are faring in their mission to make art more accessible through technology: In 2014, the New Museum founded NEW INC, the first museum-led cultural incubator. Buy Digital Technologies and the Museum Experience by Loic Tallon, Jonathan Bowen from Waterstones today Click and Collect from your local Waterstones or.
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That position really taught me a lot about helping people adapt to change: how to navigate colleagues through areas of digital discomfort by acknowledging what was and wasn’t being altered, and making. Tallon views the collaboration as part of The Met’s initiative to drive global access to the museum’s. I started there as senior mobile producer. For MIT, the collaboration began when Loic Tallon, The Met’s chief digital officer, visited the MIT campus to deliver an MIT Open Learning xTalk on the role of open access in empowering audiences and learners to experience art worldwide. I started there as senior mobile producer. For a special two-part interview in the Art21 Magazine’s “ Invention” issue, the Metropolitan Museum of Art’s chief digital officer Loic Tallon sat down with NEW INC director Julia Kaganskiy to discuss the recent developments in the digital role of museums and the future of their digital presence and influence. Loic Tallon: I have been at the Met for about four years. This conversation unites Loic Tallon and Kati Price to discuss digital practice and team structure in two of the largest institutions in the world The.
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